[DragoonEnRegalia]

This album really makes one think about the context of each of these tracks, because a good deal of them share similar themes. Toshiharu went with two hard-rock tracks, as well as two funky themes—both sets are quite cohesive and provide variations on what the composer was capable of. And, honestly, I wouldn't be surprised if these tracks were featured in his resume, because they feel like demo tracks. I could say the same for Hyakutaro's looping material and the unused material contributed by Umemoto and Takami. For that matter, the two Tomomi tracks on the album are really precious jewels in FM music history.