Quote:
Originally Posted by Aifread
Rights agreements, probably. Those have marred game composer breakdowns for decades.
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Maybe that’s it. But it’s still a bit weird - another rights issues example I’m aware of is Sonic 3, but they never credit the composers on any rearrangement and its complicated history is well known. Here Okabe seems to have complete creative control over producing albums and rearrangements and there’s no word of any controversy. Sure, I guess there can be different levels of rights agreements, in which case the best case scenario might be to hope that they had some reasonable time limit on that agreement.