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Originally Posted by 《J》
From the tracks he mentioned, pretty sure he did Coliseum, Border Patrol isn't Easy, Pride of Liberl, Royal Castle (shows up in Border Patrol isn't Easy and Pride of Liberl too), Grand Arena (uses the Coliseum theme) and Release from the Spell, and.... Provincial City of Rolent though... I have no idea who could it be. The acoustic guitar seems rather "sub-par" for Murayama and his sounds were more advanced in terms of timbre and dynamics than Sonoda/Ishibashi's, on top of better at sequencing guitar lines, since he's a bass player. The simplicity would fit the Sonoda from that era, but the flute seems like an outlier for him and the looping in the guitar part reminds me of Ishibashi.
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Thanks, I kind of felt the same way. Sonoda doesn't use the kind of chords heard in Rolent often. His style is very obvious in general, based on what I've heard within and beyond SnK. Rolent just... isn't that style.