Thank you again for your hard efforts. Kondo certainly is fond of certain chords (particularly the sus2), isn't he? I really enjoy looking at this sort of thing.
That said, surely the notation here can be cleaned up a bit. You're using far too many octave transposed clefs, and in Fortress, the right hand part is consistently below the left, which makes for confusing reading. Also, this is extremely pedantic, but in the Ending, measures 7 and 8 after the tempo change should be repeated in score, rather than by using a bar line, because the phrase is 4 bars, not 2; that would also help clear up the notation.
|