To me, the main melody looks like a whole tone scale.
D-E-F#-Ab-Bb-(C)
The Eb and Db on the first stave are 5ths of the Ab and Gb (F#).
The Abb is a leading neighbour to the Gb (or G to F#).
I could respell the accidentals to give more structure. I prefer flats over sharps, which is why I started with Gb.
I could respell E to Fb to get Gb-Ab-Bb-D-Fb: Gb9+.
@Fearin: I listened to the source file, isolated. This is just like having the master tape of a CD recording—being able to mute channels at will. Therefore, I didn’t need a reference (other transcriptions).
Last edited by Manolito Mystiq; Dec 20, 2012 at 02:20 AM.
|