#1
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The Perfect Pitch Test
http://perfectpitchtest.com/
I did it several times, today. Just now, I got 12 out of 12, but I might’ve just been lucky. I tend to recall intros of songs I hear when a given note has been played: C: The Simpsons Theme (Danny Elfman) C#/Db: The Winner Takes It All (ABBA) D: The Phantom of the Opera (Andrew Lloyd Webber) D#/Eb: You’re Still the One (Shania Twain) E: The Unforgiven (Metallica), Welcome Home (Metallica) F: Smells Like Teen Spirit (Nirvana) F#/Gb: Hotel California (Eagles, The) G: Mars: Bringer of War (Gustav Holst) G#/Ab: Somebody to Love (Queen) A: Stairway to Heaven (Led Zeppelin), Kashmir (Led Zeppelin) A#/Bb: Legend of Zelda NES (Koji Kondo) B: Batman Theme (Danny Elfman), Fade to Black (Metallica) And I might have used some relative pitch skills unconsciously. It’s worth a try, though: Pick your favorite melodies/songs covering the twelve tones. Long, steady, and isolated notes are obviously recommended (intro to The Unforgiven), but combined with countermelodies/harmonies could work as well (at least it does to me with Hotel California). Somebody to Love is not a good example because of Freddie’s glide to the A-flat. The easiest ones for me are B, C#, E, and C. EDIT: Just did a fast run, 0 mistakes. I still think I’m cheating a bit. We’ll see how it goes. |
#2
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8/12
I've never been one for perfect pitch, but I have managed to develop a strong sense of relative pitch over the past decade. I may have cheated a bit by using relative pitch. I have middle C memorized. I just think of the first note of the underground theme from SMB, or the second note of the overworld theme. |
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