| Music / Music | Alexandre Desplat |
| Sound Designer / Sound Designer | Richard King |
| Supervising Sound Editor / Supervising Sound Editor | Richard King |
| Re-Recording Mixers / Re-Recording Mixers | Andy Nelson, Jim Bolt |
| 1st Assistant Sound Editors / 1st Assistant Sound Editors | Linda Yeaney, Andrew Bock |
| Sound Effects Editors / Sound Effects Editors | Roland Thai, Paul Berolzheimer |
| Foley Supervisor / Foley Supervisor | Christopher Flick |
| Foley Artists / Foley Artists | John Roesch, Alyson Dee Moore |
| Foley Mixers / Foley Mixers | MaryJo Lang, Kyle Rochlin |
| Sound Effects Recordists / Sound Effects Recordists | John Paul Fasal, Eric Potter |
| Sound Services / Sound Services | Warner Bros. Studio Facilities |
| Re-Recording Recordist / Re-Recording Recordist | Ryan Cole |
| Re-recording Engineer / Re-recording Engineer | Tom Lalley |
| Mix Technicians / Mix Technicians | Doug Parker, Tom Burns |
| Music Executive / Music Executive | Sunny Park |
| Music Editor / Music Editor | Joe E. Rand |
| Additional Music Editor / Additional Music Editor | Barbara McDermott |
| Score Producer / Score Producer | Dominique "Solre" Lemonnier |
| Score Recorded by / Score Recorded by | Andrew Dudman |
| Score Mixed by / Score Mixed by | Andrew Dudman |
| Score Recorded at / Score Recorded at | Abbey Road Studios, Air Studios |
| Additional Recordings at / Additional Recordings at | Studios Davout, Avatar Studios |
| Additional Recordings by / Additional Recordings by | Jonathan Allen, Richard King |
| Additional Overdubs Sound Engineer / Additional Overdubs Sound Engineer | Alex Firla |
| Score Assistant Engineer / Score Assistant Engineer | Fiona Cruickshank, Matt Jones, John Prestage, Paul Pritchard, Jack Sugden |
| Auricle Operator / Auricle Operator | Chris Cozens |
| Score Mixed at / Score Mixed at | Abbey Road Studios |
| Score Mix Assistant Engineer / Score Mix Assistant Engineer | Paul Pritchard |
| Additional Mixing at / Additional Mixing at | Capitol Studios |
| Additional Mixing / Additional Mixing | Joel Iwataki |
| Supervising Orchestrator / Supervising Orchestrator | Conrad Pope |
| Additional Orchestrations / Additional Orchestrations | Clifford J. Tasner, Bill Newlin, Nan Schwartz |
| Ethnic Percussion / Ethnic Percussion | Paul Clarvis |
| Cimbalom Solos / Cimbalom Solos | Lurie Morar |
| Piano Solos / Piano Solos | Dave Arch |
| Score Conducted by / Score Conducted by | Alexandre Desplat |
| Orchestra / Orchestra | London Symphony Orchestra |
| Orchestra Leader / Orchestra Leader | Carmine Lauri |
| Choir / Choir | London Voices |
| Choirmaster / Choirmaster | Terry Edwards |
| Conductor / Conductor | Terry Edwards |
| Music Preparation / Music Preparation | Mark Graham |
| Librarian / Librarian | Mark Graham |
| Orchestra Contractors / Orchestra Contractors | Sue Mallet, Marc Stevens |
| Composer Assistant / Composer Assistant | Romain Allender |
| Score Coordinator / Score Coordinator | Xavier Forcioli |
| Programming / Programming | Xavier Forcioli, Romain Allender |
| Music Manager / Music Manager | Susan Thampi |
| Music Coordinator / Music Coordinator | Roger Tang |
| Music Consultant / Music Consultant | Charlene Ann Huang |
| Studio Managers / Studio Managers | Colette Barber, Alison Burton |
| Music Clearances / Music Clearances | Julie Butchko |
| Music Business Affairs / Music Business Affairs | Dan Butler, Liz McNicoll, Jennifer Schiller |