| Audio Director / Audio Director | Charles Deenen |
| Sound Compression / Sound Compression | Paul Edelstein |
| Music / Music | Ron Jones Music, Brian Luzietti |
| Editing / Editing | Ron Valdez, Doug Rappaport, Charles Deenen, Larry Peacock, Gregory R. Allen |
| Music Contractor / Music Contractor | Bob O'Donnell |
| Music Mixer / Music Mixer | Gary Lux, Brian Luzietti |
| Music Recording at / Music Recording at | O'Henry Studios, Interplay |
| Music Mastering / Music Mastering | Tom Baker |
| Music Mastering at / Music Mastering at | Future Disc |
| Music Supervisor / Music Supervisor | Brian Luzietti |
| Sound Design / Sound Design | Larry Peacock, Gregory R. Allen, Charles Deenen |
| SFX Supervision / SFX Supervision | Charles Deenen |
| SFX Mastering / SFX Mastering | Craig Duman |
| Music Introduction / Music Introduction | Ron Jones |
| Foley Studio / Foley Studio | EFX, West Productions, Eight Ball |
| Foley Mixer / Foley Mixer | Eric Thompson (EFX), Cecilia Perna (West) |
| Foley Artists / Foley Artists | Gregg Barbanell, Gary Marullo, Katie Rowe, Laura Macias |
| Foley Spotting / Foley Spotting | Caron Weidner |
| Foley Supervision / Foley Supervision | Charles Deenen |
| Foley Recorded by / Foley Recorded by | Caron Weidner |
| Audio Administration / Audio Administration | Scott Lollar |
| Re-recording Mixer / Re-recording Mixer | Charles Deenen |
| Mixed at / Mixed at | Interplay Productions |