Audio Lead / Audio Lead | Mark Ganus, Gary Spinrad |
Audio / Audio | Chrissy Arya, Stephen Miller, Linda Rosemeier, James McCawley |
Theme / Theme | Harry Gregson-Williams |
Produced by / Produced by | Harry Gregson-Williams |
Music / Music | Stephen Barton |
Score Supervisor / Score Supervisor | Allison Wright Clark |
Ambient Music Design / Ambient Music Design | Mel Wesson |
Score Performed by / Score Performed by | The London Session Orchestra |
Scoring Engineer / Scoring Engineer | Jonathan Allen |
Scoring Mixer / Scoring Mixer | Malcolm Luke |
Protools Engineer / Protools Engineer | Jamie Luker, Scrap Marshall |
Orchestra Contractors / Orchestra Contractors | Isobel Griffiths, Charlotte Matthews, Todd Stanton |
Orchestrations / Orchestrations | David Buckley, Stephen Barton, Ladd McIntosh, Halli Cauthery |
Copyists / Copyists | Ann Miller, Ted Miller |
String Overdubs / String Overdubs | The Czech Philharmonic Orchestra |
Artistic Director / Artistic Director | Pavel Prantl |
Guitars / Guitars | Costa Kotselas, Peter DiStefano, John Parricelli, Toby Chu |
Electric Violin / Electric Violin | Hugh Marsh |
Oud / Oud | Stuart Hall |
Bouzouki / Bouzouki | Stuart Hall |
Hurdy Gurdy / Hurdy Gurdy | Nicholas Perry |
Horn Solos / Horn Solos | Richard Watkins |
Percussion / Percussion | Frank Ricotti, Gary Kettel, Paul Clarvis |
Score Recorded at / Score Recorded at | Abbey Road Studios |
Music Mixed at / Music Mixed at | The Blue Room, Los Angeles |
Sound Effects Recording / Sound Effects Recording | John Fasal |
Additional Sound Design / Additional Sound Design | Earbash Audio, Inc |
Additional Audio Engineering / Additional Audio Engineering | Digital Synapse |
Director / Director | Adam Levenson |
Talent Acquisition Manager / Talent Acquisition Manager | Marchele Hardin |
Talent Associate / Talent Associate | Noah Sarid |
Talent Coordinator / Talent Coordinator | Stefani Jones |
Sound Artist / Sound Artist | Trevor Bresaw |
Audio Programming / Audio Programming | Blair Bitonti |